It is difficult to imagine what other contemporary artist could have created public art comparable to Three Sets of Twelve (2004) in terms of the level of technical accomplishment, the sheer scale of the undertaking, and the depth of his analysis of social issues. His public works prior to the courthouse mural collectively demonstrate an enormously generous commitment to articulating visually the core possibilities and requirements for democratic society.

HIGH WIRE, 1993
LONG INSTANT, 1991
MENTOR CROSSROADS, 1982
MAGAZINE RACK, 1980
CHINATOWN BURNS, 1980
HIS POINT OF VIEW, 1979
DELEON'S TELESCOPE, 1979
COVERT ENSEMBLE, 1979
WINDOW WALL, 1978
REALCO TRUCKS, 1974
THREAT, 1973
FACES ON BARN, 1973
INVISIBLE PAINTING, 1972
VIETNAM, 1972



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